1
00:00:00,000 --> 00:00:01,960
The killer lives among us.

2
00:00:01,960 --> 00:00:04,960
He's targeting men
between the ages of 16 and 30,

3
00:00:04,960 --> 00:00:07,000
and he's doing so
with the use of this.

4
00:00:09,960 --> 00:00:11,960
Philly.
Monica?

5
00:00:11,960 --> 00:00:14,960
You didn't leave the Burning Light,
did you? They left you.

6
00:00:14,960 --> 00:00:16,960
Another?
This kid managed to escape.

7
00:00:17,960 --> 00:00:22,960
Tammy, you have got to stop
your obsession with this.

8
00:00:22,960 --> 00:00:24,960
So, Jason was taken from in here.

9
00:00:25,960 --> 00:00:29,960
And a few years ago now,
I found him down by the loch with...

10
00:00:29,960 --> 00:00:33,960
hosepipe looped through the window,
engine still running.

11
00:00:33,960 --> 00:00:36,960
'The victims were forced
to ingest these stones.'

12
00:00:38,960 --> 00:00:42,960
Should've left you years ago.
Stop it! Stop it! The pair of you.

13
00:00:42,960 --> 00:00:44,960
You see this? It's a warning.

14
00:00:44,960 --> 00:00:47,320
Whoever did this to Jason,
he's coming back.

15
00:00:47,320 --> 00:00:49,960
'Please do not let him find us.'

16
00:00:49,960 --> 00:00:51,640
This man is weak.

17
00:00:51,640 --> 00:00:55,960
He lures his victims into traps,
and then he incapacitates them.

18
00:00:55,960 --> 00:01:01,960
Above all else,
he is, at his core, a coward.

19
00:01:27,960 --> 00:01:29,960
CRAWFORD: Get on to that now.

20
00:01:35,960 --> 00:01:40,960
Here. Female victim.
Wild, wild deviation of his MO.

21
00:01:40,960 --> 00:01:43,960
Monica, you know her. Who is she?

22
00:01:43,960 --> 00:01:45,960
Philly Murray.

23
00:01:45,960 --> 00:01:47,960
Does Philly have any next of kin?
Family?

24
00:01:48,960 --> 00:01:52,160
She has a daughter. No-one else.

25
00:01:52,160 --> 00:01:53,960
We'll get the family liaison
onto it.

26
00:01:53,960 --> 00:01:55,960
It's not that simple.

27
00:01:56,960 --> 00:01:59,960
Is that because she's got
the same mark on her arm as you?

28
00:02:03,960 --> 00:02:05,960
Her daughter's with
the Burning Light, then.

29
00:02:07,960 --> 00:02:10,960
So you went
beyond investigating them.

30
00:02:10,960 --> 00:02:12,960
You were one of them too.

31
00:02:12,960 --> 00:02:16,960
I was worse. I recruited Philly.

32
00:02:16,960 --> 00:02:19,640
That mark on her arm, that was me.
I branded her.

33
00:02:19,640 --> 00:02:21,960
Father of Philly's child -
he's Lucy's, too.

34
00:02:25,960 --> 00:02:29,960
If it wasn't for you saying so,
I'd say this is not his work.

35
00:02:29,960 --> 00:02:31,960
The gender, clothed...

36
00:02:31,960 --> 00:02:35,960
Staging, yes, dramatic,
but the kill, it was efficient.

37
00:02:35,960 --> 00:02:37,960
He said, "This one's for you."

38
00:02:37,960 --> 00:02:40,960
What do you mean?
He's taunting me.

39
00:02:41,960 --> 00:02:46,320
Wait, you... you spoke to him?
This was a gesture.

40
00:02:46,320 --> 00:02:50,800
He thinks I'm like him
but could never be him.

41
00:02:50,800 --> 00:02:53,960
Whatever sick connection he feels
towards you, it's not on you.

42
00:02:53,960 --> 00:02:54,960
He's a psychopath.

43
00:02:54,960 --> 00:02:58,960
Who I provoked and is now killing
people in my orbit.

44
00:02:58,960 --> 00:03:01,960
So you think this one's
about you, right?

45
00:03:03,480 --> 00:03:05,960
This is personal.

46
00:03:06,960 --> 00:03:08,480
I need to get my family safe.

47
00:03:15,160 --> 00:03:17,160
I mean, will it be for long?

48
00:03:17,160 --> 00:03:19,960
I mean, I need my tablets,
I need my own clothes.

49
00:03:19,960 --> 00:03:22,960
Mum... Is it because
of what you said on television?

50
00:03:22,960 --> 00:03:24,960
Have you made him angry?

51
00:03:24,960 --> 00:03:26,000
Maybe. Yes.

52
00:03:26,000 --> 00:03:29,480
Maybe I've set him on a path
to killing everyone I know.

53
00:03:29,480 --> 00:03:34,960
And... I do love you,
and I want to make sure you're safe.

54
00:03:34,960 --> 00:03:36,960
ANGELA TUTS
Monica.

55
00:03:39,960 --> 00:03:41,000
You know that...

56
00:03:41,000 --> 00:03:42,960
Oh, it's... OK.

57
00:03:42,960 --> 00:03:43,960
We'll finish this later.

58
00:03:43,960 --> 00:03:47,960
I'll just get on
with Lucy's packing. Thanks.

59
00:03:48,960 --> 00:03:52,320
You wanted to show me something?
Highly likely I'll be stood down.

60
00:04:00,960 --> 00:04:02,960
When did you gather all this?

61
00:04:02,960 --> 00:04:04,960
Oh, can I...?
Yeah.

62
00:04:05,960 --> 00:04:07,960
What's a "baytle"?

63
00:04:07,960 --> 00:04:09,960
Er, baetyl.
From classical mythology.

64
00:04:09,960 --> 00:04:11,960
Stones of divine power.

65
00:04:12,960 --> 00:04:14,960
I think he's creating his own myth.

66
00:04:15,960 --> 00:04:18,320
Well, this is from Plotinus.

67
00:04:18,320 --> 00:04:20,960
Same fella as this rabbit quote?
Yeah.

68
00:04:20,960 --> 00:04:22,960
"He who is awake
in the intelligible world

69
00:04:22,960 --> 00:04:24,960
"sleeps in the sensible one."

70
00:04:24,960 --> 00:04:26,960
Think of it as...

71
00:04:26,960 --> 00:04:29,960
there are two kinds of selves
within us.

72
00:04:29,960 --> 00:04:32,800
Our killer has two sides.

73
00:04:32,800 --> 00:04:36,960
Yes, and his true self
emerges at night.

74
00:04:36,960 --> 00:04:38,960
And that's how he wants
to be recognised -

75
00:04:38,960 --> 00:04:39,960
the myth, not the man.

76
00:04:39,960 --> 00:04:43,960
He's piecing together other
people's stories to tell his own.

77
00:04:43,960 --> 00:04:45,960
He lacks the imagination
to do it all himself.

78
00:04:45,960 --> 00:04:49,960
He's clever, yes,
but he's frustrated.

79
00:04:49,960 --> 00:04:53,480
He thinks he should be bigger,
better...

80
00:04:53,480 --> 00:04:55,960
living a less mediocre existence.

81
00:04:55,960 --> 00:04:58,960
So your average civil servant, then.

82
00:04:58,960 --> 00:05:00,960
You might not be far wrong.

83
00:05:00,960 --> 00:05:03,960
Point being, he's someone
we'd walk past in the street

84
00:05:03,960 --> 00:05:05,480
and not look twice at.

85
00:05:05,480 --> 00:05:06,960
Might already have.
Oh.

86
00:05:06,960 --> 00:05:08,960
PHONE BUZZES

87
00:05:08,960 --> 00:05:09,960
All right, Dunc?

88
00:05:11,960 --> 00:05:13,960
MOUTHS
Yes.

89
00:05:13,960 --> 00:05:15,960
Yes. Erm, right, I'll see you soon.

90
00:05:18,480 --> 00:05:20,480
We just got a hit on CCTV.

91
00:05:27,960 --> 00:05:29,480
GREGG: 'Burner phone untraceable.'

92
00:05:29,480 --> 00:05:31,960
But... we got this.

93
00:05:33,960 --> 00:05:36,960
Car reg not clear,
but got him in all his glory.

94
00:05:36,960 --> 00:05:39,960
Bet it won't be
the last image either.

95
00:05:39,960 --> 00:05:42,960
Joys of modern community -
forever snooping on each other.

96
00:05:42,960 --> 00:05:46,960
Removing, his time in, time out,
direction of travel.

97
00:05:46,960 --> 00:05:47,960
DOOR CLOSES

98
00:05:47,960 --> 00:05:50,960
Lucy, hop into your seat for me.
Clip her in, will you?

99
00:05:50,960 --> 00:05:51,960
ANGELA: Of course.

100
00:05:51,960 --> 00:05:54,960
LUCY: Seatbelts keep us safe,
Grandma.

101
00:05:54,960 --> 00:05:57,480
We've got you secure accommodation,
hundred miles out west.

102
00:05:57,480 --> 00:06:00,960
We've got him on CCTV.
We'll have his vehicle tracked.

103
00:06:00,960 --> 00:06:01,960
This is a major lead.

104
00:06:01,960 --> 00:06:04,960
I've emailed you the address.
Need to make a stop first.

105
00:06:04,960 --> 00:06:06,960
Mum needs her prescription
and clothes.

106
00:06:06,960 --> 00:06:07,960
It's the opposite direction.

107
00:06:07,960 --> 00:06:10,960
Gregg can take her
and then drop her off. No.

108
00:06:10,960 --> 00:06:11,960
Trust me.

109
00:06:14,960 --> 00:06:17,960
Yeah, all right.
Dunc?

110
00:06:17,960 --> 00:06:19,960
Lovely Angela needs to collect
a few things, right?

111
00:06:19,960 --> 00:06:22,960
Can you take her
and then head to the safe house?

112
00:06:22,960 --> 00:06:24,960
GREGG: Yeah, I can do that.

113
00:06:24,960 --> 00:06:26,960
I'll run you home.
We'll catch them up.

114
00:06:26,960 --> 00:06:28,960
Let me take your bag.

115
00:06:28,960 --> 00:06:30,960
I'll let you ride shotgun.
Thank you.

116
00:06:30,960 --> 00:06:32,960
Starsky and Hutch.
GREGG CHUCKLES

117
00:06:40,960 --> 00:06:42,960
CAT PURRS

118
00:06:58,960 --> 00:07:00,960
PHONE RINGS

119
00:07:11,960 --> 00:07:12,960
Yes?

120
00:07:12,960 --> 00:07:14,960
Hi. Is that Michael Bach?

121
00:07:14,960 --> 00:07:17,960
Yes.
'Hi, this is Kyle Ward.'

122
00:07:17,960 --> 00:07:18,960
I'm headmaster at...

123
00:07:18,960 --> 00:07:20,960
'I know.
I'm due to see you on Monday.'

124
00:07:20,960 --> 00:07:22,640
Yeah, about that.

125
00:07:22,640 --> 00:07:25,960
Erm, I am getting flooded with calls

126
00:07:25,960 --> 00:07:27,960
from concerned parents
and the school board

127
00:07:27,960 --> 00:07:30,960
about your colleague James.

128
00:07:30,960 --> 00:07:32,960
And his paperwork is a disgrace.

129
00:07:32,960 --> 00:07:35,960
'I can't make head nor tail of it.'
Hm.

130
00:07:35,960 --> 00:07:38,960
Well, that's no surprise.
'Were you aware of James...?'

131
00:07:38,960 --> 00:07:40,960
That's not what I said.
Look, why are you calling?

132
00:07:40,960 --> 00:07:44,320
Oh, I was hoping that you would want

133
00:07:44,320 --> 00:07:46,960
to rip the plaster off
as soon as possible.

134
00:07:46,960 --> 00:07:49,960
'You mean discuss this now?'
The sooner we're on top of it...

135
00:07:49,960 --> 00:07:52,960
No, it's really...
not the best time.

136
00:07:53,960 --> 00:07:54,960
Erm...

137
00:07:56,960 --> 00:08:00,960
Er... look, Michael. Bluntly...

138
00:08:01,960 --> 00:08:03,960
My daughter is distressed.

139
00:08:03,960 --> 00:08:06,160
'She was close
with one of the victims,

140
00:08:06,160 --> 00:08:09,960
'and I suspect she's not the only
pupil having sleepless nights.'

141
00:08:11,160 --> 00:08:13,960
If you and I
can decipher this chaos,

142
00:08:13,960 --> 00:08:15,960
we might even be able
to help the police.

143
00:08:16,960 --> 00:08:18,960
'Put everyone's minds at ease.'

144
00:08:20,960 --> 00:08:21,960
MICHAEL SIGHS

145
00:08:23,160 --> 00:08:26,960
Where are you?
'About 20 minutes away.

146
00:08:26,960 --> 00:08:28,960
'I was about to take Tammy out
for the day,

147
00:08:28,960 --> 00:08:30,800
'try to distract her a bit.

148
00:08:30,800 --> 00:08:33,960
'We could stop by.'
Fine.

149
00:08:34,960 --> 00:08:35,960
Just be a minute, Lucy.

150
00:08:40,960 --> 00:08:43,800
We're doing our best
to have a media blackout.

151
00:08:43,800 --> 00:08:46,960
I've got to protect
the investigation, Monica.

152
00:08:46,960 --> 00:08:49,960
I'm off the case.
You're replacing me as SIO.

153
00:08:49,960 --> 00:08:50,960
You not fighting me?

154
00:08:52,960 --> 00:08:53,960
Well, my career can wait.

155
00:08:53,960 --> 00:08:55,960
And...

156
00:08:57,960 --> 00:08:59,960
..the only reason
he knew about Philly

157
00:08:59,960 --> 00:09:01,960
was because I lured him
to the Burning Light.

158
00:09:01,960 --> 00:09:04,960
Did you know she was there?
That's not the point.

159
00:09:04,960 --> 00:09:06,960
It is the point.

160
00:09:06,960 --> 00:09:09,960
Less than 24 hours ago,
you saved her life.

161
00:09:09,960 --> 00:09:12,960
I didn't catch him.
And I won't now, will I?

162
00:09:48,640 --> 00:09:50,640
CAR PULLING UP

163
00:09:52,960 --> 00:09:54,960
There you go.
CAT MEOWS

164
00:10:06,480 --> 00:10:09,960
How long is this gonna take?
Pieces of string, darling.

165
00:10:09,960 --> 00:10:11,960
That could mean hours, knowing you.

166
00:10:11,960 --> 00:10:14,960
Fine. Come inside too.

167
00:10:16,160 --> 00:10:19,960
No greater ticking clock
than an impatient daughter.

168
00:10:46,960 --> 00:10:47,960
Kyle.

169
00:10:47,960 --> 00:10:50,320
You must be Tammy.

170
00:10:59,960 --> 00:11:01,960
You got any cat allergies?

171
00:11:01,960 --> 00:11:04,960
No. Is there anywhere
we could do this privately?

172
00:11:04,960 --> 00:11:07,960
I've got my headphones.
I know you're not a snooper.

173
00:11:07,960 --> 00:11:10,960
Regardless, your peers' privacy.

174
00:11:12,960 --> 00:11:13,960
This way.

175
00:11:21,160 --> 00:11:23,960
CAT MEOWS
Have a seat.

176
00:11:36,160 --> 00:11:38,960
It's a really nice place
you have here.

177
00:11:38,960 --> 00:11:42,960
Quiet, out of the way.
Yeah. Yeah, it's all right.

178
00:11:44,960 --> 00:11:47,960
So, er... James.

179
00:11:47,960 --> 00:11:50,960
Sorry, could I trouble you
for a glass of water, please?

180
00:11:52,480 --> 00:11:54,960
I'm just a little dry.

181
00:11:54,960 --> 00:11:56,960
So much for a quick chat, eh?

182
00:11:58,640 --> 00:11:59,960
Yeah. Yeah, fine.

183
00:12:06,960 --> 00:12:09,000
CAT MEOWS
Here.

184
00:12:09,000 --> 00:12:10,960
Ch, ch, ch, ch, ch, ch!

185
00:12:13,960 --> 00:12:15,960
Fair enough.

186
00:12:15,960 --> 00:12:17,960
SHE GASPS

187
00:12:25,000 --> 00:12:27,960
You must travel far and wide
in your role.

188
00:12:27,960 --> 00:12:30,640
Yeah. Planet doesn't love
my mileage.

189
00:12:31,960 --> 00:12:34,960
James was a firm believer
in the office.

190
00:12:34,960 --> 00:12:37,960
And it shows. Chaos.

191
00:12:38,960 --> 00:12:41,800
In all my years
spent in education and outreach,

192
00:12:41,800 --> 00:12:43,000
I've learnt the only way
we truly help

193
00:12:43,000 --> 00:12:44,960
is by building
a personal connection.

194
00:12:48,960 --> 00:12:50,960
Hold that thought.

195
00:13:00,960 --> 00:13:03,960
This room is private.
Sorry.

196
00:13:03,960 --> 00:13:05,480
There's a cat.

197
00:13:05,480 --> 00:13:07,640
Aye, but it's long gone.
Tammy?

198
00:13:07,640 --> 00:13:09,000
Here.

199
00:13:09,000 --> 00:13:11,160
FOOTSTEPS APPROACH

200
00:13:14,960 --> 00:13:16,000
These are the dead boys,
aren't they?

201
00:13:16,000 --> 00:13:17,960
That's right.

202
00:13:19,960 --> 00:13:20,960
What about him?

203
00:13:28,960 --> 00:13:30,160
What's all this?

204
00:13:31,960 --> 00:13:32,960
CAT MEOWS,
GRUNTING

205
00:13:32,960 --> 00:13:34,960
SCREAMS: Dad!
THUD

206
00:13:34,960 --> 00:13:36,960
TAMMY SCREAMS,
THUD

207
00:14:19,960 --> 00:14:22,960
Bethany! Nichol!

208
00:14:36,960 --> 00:14:38,960
PHONE RINGS

209
00:14:41,960 --> 00:14:44,960
Michael? Who's this?

210
00:14:44,960 --> 00:14:46,960
He's taken Tammy, Monica!

211
00:14:46,960 --> 00:14:48,960
Kyle?
'He had a mask!'

212
00:14:48,960 --> 00:14:49,960
A mask?

213
00:14:49,960 --> 00:14:52,000
Oh, God, I'm dizzy.

214
00:14:52,000 --> 00:14:54,960
Kyle, did you say a mask?

215
00:14:55,960 --> 00:14:57,000
Can you hear me?

216
00:14:57,000 --> 00:14:59,960
It's Michael Bach. It's him.

217
00:14:59,960 --> 00:15:01,960
He attacked me.

218
00:15:01,960 --> 00:15:03,960
Kyle, I need to call my colleagues.

219
00:15:03,960 --> 00:15:06,320
PHONE CALL BREAKS UP

220
00:15:06,320 --> 00:15:07,960
Kyle, did you say you called...?

221
00:15:07,960 --> 00:15:09,960
They're 20 minutes away.

222
00:15:09,960 --> 00:15:12,960
SIGNAL DISTORTS
Kyle?

223
00:15:12,960 --> 00:15:14,640
You're breaking up.

224
00:15:18,960 --> 00:15:19,960
DISCONNECT TONE

225
00:15:23,960 --> 00:15:26,800
RINGING TONE

226
00:15:28,160 --> 00:15:29,960
Oh, shit.

227
00:15:45,960 --> 00:15:46,960
1,200 cash.

228
00:15:46,960 --> 00:15:49,960
But... it's worth double.

229
00:15:51,320 --> 00:15:52,960
If times were different, maybe.

230
00:15:54,640 --> 00:15:55,960
Where we even going?

231
00:15:58,960 --> 00:16:00,640
"We"?

232
00:16:03,960 --> 00:16:07,960
HE EXHALES
Look, Mum... wherever you want.

233
00:16:07,960 --> 00:16:09,960
It's time for you to choose.

234
00:16:41,960 --> 00:16:42,960
RINGING TONE

235
00:16:45,000 --> 00:16:47,960
Kennedy.
DISTORTED: 'Michael Bach.'

236
00:16:47,960 --> 00:16:50,800
What? The reception's shite.
'Michael...'

237
00:16:50,800 --> 00:16:53,960
CALL BREAKING UP
You're at Michael's? Why...?

238
00:16:53,960 --> 00:16:54,960
DISCONNECT TONE

239
00:17:00,960 --> 00:17:02,640
Send me a copy of that.
Aye, Sir.

240
00:17:05,960 --> 00:17:07,960
KYLE: Tammy!

241
00:17:07,960 --> 00:17:09,800
Tammy!
Kyle?

242
00:17:10,960 --> 00:17:13,960
Monica! He's taken Tammy.

243
00:17:13,960 --> 00:17:15,960
She's not here. My girl, she's gone.

244
00:17:15,960 --> 00:17:17,960
I tried calling her,
but no reception.

245
00:17:17,960 --> 00:17:19,640
Kyle, slow down.
And then the line went dead.

246
00:17:19,640 --> 00:17:20,960
He's cut the phone line.

247
00:17:22,960 --> 00:17:25,000
Where are your colleagues?
They said he'd be 20 minutes.

248
00:17:25,000 --> 00:17:27,960
Then they'll be here soon.
Wait, so it's just you?

249
00:17:27,960 --> 00:17:29,960
OK, look at me.
You've lost a lot of blood.

250
00:17:29,960 --> 00:17:31,960
No, we need to find Tammy.

251
00:17:31,960 --> 00:17:34,960
The more information I can obtain,
the quicker we can act. OK?

252
00:17:34,960 --> 00:17:36,960
We need to stop that bleeding.

253
00:17:48,480 --> 00:17:49,960
Press this against it for now.

254
00:17:58,960 --> 00:18:00,960
Kyle, I need you to talk me through
what happened.

255
00:18:01,960 --> 00:18:03,960
The last thing...

256
00:18:03,960 --> 00:18:06,960
We were in the room with the photos.
What photos?

257
00:18:10,640 --> 00:18:11,960
You need to see it.

258
00:18:17,960 --> 00:18:21,320
Tammy started to ask
all these questions about the boys,

259
00:18:21,320 --> 00:18:22,960
what this meant.

260
00:18:24,960 --> 00:18:28,960
And then Michael just went for me,
and everything went blurry.

261
00:18:28,960 --> 00:18:31,960
Have you touched anything?
That's my blood.

262
00:18:32,960 --> 00:18:36,960
Aside from the struggle.
The photos, drawers, files?

263
00:18:39,960 --> 00:18:41,480
You said he had a mask?

264
00:18:43,800 --> 00:18:46,320
I was on the floor,

265
00:18:46,320 --> 00:18:48,960
and he took it from...

266
00:18:52,640 --> 00:18:53,960
What did it look like?

267
00:18:55,960 --> 00:18:58,960
Er, terrifying.

268
00:18:58,960 --> 00:18:59,960
White.

269
00:18:59,960 --> 00:19:03,160
I don't know. I think I passed out.

270
00:19:03,160 --> 00:19:06,160
Why were you here?
Here?

271
00:19:06,160 --> 00:19:08,960
At Michael's house.

272
00:19:12,960 --> 00:19:14,320
Oh, God.

273
00:19:17,640 --> 00:19:19,320
This is my fault.

274
00:19:19,320 --> 00:19:22,320
He was my new
school liaison officer.

275
00:19:22,320 --> 00:19:25,960
And after James, I wanted to get
a grip on all the paperwork,

276
00:19:25,960 --> 00:19:28,960
so I imposed ourselves upon him.

277
00:19:28,960 --> 00:19:30,960
I forced Tammy to come.

278
00:19:34,960 --> 00:19:38,960
Was his car here when you arrived?
Green Land Rover?

279
00:19:38,960 --> 00:19:40,960
I think so.

280
00:19:42,960 --> 00:19:45,800
My head is spinning.
I need to sit down.

281
00:20:06,960 --> 00:20:10,640
RINGING TONE
Come on, Kennedy.

282
00:20:11,800 --> 00:20:12,960
DISCONNECT TONE

283
00:20:19,960 --> 00:20:23,960
Who did you talk to at the station?
Did you get their name?

284
00:20:23,960 --> 00:20:27,960
No, just... 20 minutes, they said.

285
00:20:32,640 --> 00:20:34,960
I made tea for some reason.

286
00:20:34,960 --> 00:20:37,960
I thought it might calm...

287
00:20:37,960 --> 00:20:39,960
I'll check the rest of the property
and see if I can get a signal.

288
00:20:39,960 --> 00:20:42,160
Let me help.
No, no. Sit down.

289
00:20:42,160 --> 00:20:43,960
You're likely concussed.

290
00:20:45,960 --> 00:20:47,960
Tammy.

291
00:20:47,960 --> 00:20:49,960
Will she be OK?

292
00:20:51,960 --> 00:20:53,960
ENGINE RUNNING

293
00:21:10,960 --> 00:21:13,960
'It's safer to stay put for now,
wait for back-up.'

294
00:21:15,160 --> 00:21:17,960
Michael's someone you trusted.

295
00:21:17,960 --> 00:21:20,480
My daughter's life is in peril

296
00:21:20,480 --> 00:21:23,320
because you provoked him,
mocked him,

297
00:21:23,320 --> 00:21:26,960
claimed he was unintelligent,
uneducated.

298
00:21:26,960 --> 00:21:28,960
Yes, that's true.

299
00:21:28,960 --> 00:21:32,960
Well, you made him adapt. Change.

300
00:21:33,960 --> 00:21:35,800
That's intelligence.

301
00:21:36,960 --> 00:21:39,960
Change?
Yes.

302
00:21:39,960 --> 00:21:42,960
No longer just young men. Women too.

303
00:21:44,960 --> 00:21:45,960
Women?

304
00:21:47,960 --> 00:21:49,960
The woman this morning.

305
00:21:51,160 --> 00:21:53,960
So tragic.

306
00:21:53,960 --> 00:21:57,640
'A young woman like that.
Why did she deserve to die?'

307
00:22:03,960 --> 00:22:06,960
SHE SPLUTTERS

308
00:22:21,960 --> 00:22:23,960
SHE SOBS

309
00:22:25,320 --> 00:22:26,960
SHE SCREAMS

310
00:22:42,960 --> 00:22:45,960
That mask you saw,
that was his true self.

311
00:22:47,960 --> 00:22:52,960
Every day, he... hid behind
a veneer of normality.

312
00:22:57,960 --> 00:22:59,640
Monica?

313
00:23:00,960 --> 00:23:04,960
He who sleeps in the intelligible
world is awake in the sensible one.

314
00:23:04,960 --> 00:23:07,800
Sleeps in the sensible one.
Pardon?

315
00:23:08,960 --> 00:23:11,960
That was a quote, I believe.
A word or two out.

316
00:23:13,960 --> 00:23:16,960
CAT MEWLS,
MEOWS

317
00:23:19,960 --> 00:23:21,960
Cats are misunderstood.

318
00:23:27,640 --> 00:23:28,960
There we are.

319
00:23:30,320 --> 00:23:31,960
Oh!

320
00:23:32,960 --> 00:23:35,480
Apparently, they calm people.

321
00:23:37,960 --> 00:23:39,960
CAT PURRS

322
00:24:05,960 --> 00:24:06,960
Shit!

323
00:24:20,480 --> 00:24:21,960
You OK, Monica?

324
00:24:27,960 --> 00:24:29,960
Peppermint tea?

325
00:24:34,960 --> 00:24:36,960
With a little twist.

326
00:24:46,480 --> 00:24:47,640
How long have I got?

327
00:24:48,640 --> 00:24:49,960
Three sips.

328
00:24:50,960 --> 00:24:53,640
Two minutes, maybe less.

329
00:24:58,480 --> 00:24:59,640
Oh.

330
00:25:01,960 --> 00:25:05,960
Let's find you somewhere to sit.

331
00:25:06,960 --> 00:25:09,960
It's not long
till my favourite part begins.

332
00:25:13,960 --> 00:25:15,960
CRAWFORD COUGHS,
WHEEZES

333
00:25:17,320 --> 00:25:19,960
What the fuck?
HE COUGHS

334
00:25:23,960 --> 00:25:25,960
BANGING

335
00:25:30,960 --> 00:25:33,000
HE GRUNTS

336
00:25:33,000 --> 00:25:34,960
HE PANTS

337
00:25:36,960 --> 00:25:37,960
Shit.

338
00:25:37,960 --> 00:25:39,960
Tammy! Tammy!

339
00:25:41,000 --> 00:25:42,960
There we go.

340
00:25:44,960 --> 00:25:45,960
All comfy?

341
00:25:49,960 --> 00:25:50,960
Why?

342
00:25:51,960 --> 00:25:55,960
Why?
Why? Your own daughter?

343
00:25:57,960 --> 00:26:00,480
I didn't want this, Monica.

344
00:26:01,960 --> 00:26:05,960
This is not the way
today was supposed to go. No.

345
00:26:07,960 --> 00:26:11,960
Today was about framing Michael,

346
00:26:11,960 --> 00:26:13,960
planting little evidential seeds.

347
00:26:13,960 --> 00:26:17,800
He's the perfect scapegoat,
with his access to young men.

348
00:26:17,800 --> 00:26:21,320
But then Tammy blew
the whole thing apart. Clever girl.

349
00:26:22,960 --> 00:26:23,960
She figured me out.

350
00:26:26,480 --> 00:26:28,640
This is the kindest thing for her.

351
00:26:28,640 --> 00:26:29,960
ENGINE THRUMS

352
00:26:31,960 --> 00:26:34,480
CRAWFORD COUGHS,
WHEEZES

353
00:26:34,480 --> 00:26:35,960
GLASS SMASHES

354
00:26:54,960 --> 00:26:57,960
I used to fear the split
within myself.

355
00:27:00,800 --> 00:27:03,960
But after my wife died, I looked,

356
00:27:03,960 --> 00:27:06,960
truly looked within myself.

357
00:27:08,960 --> 00:27:09,960
Her death liberated me.

358
00:27:10,960 --> 00:27:12,960
Doting father.

359
00:27:12,960 --> 00:27:17,960
Tammy provided the perfect cover
for me to indulge my true self.

360
00:27:23,960 --> 00:27:25,960
DROWSILY: How would...?

361
00:27:27,960 --> 00:27:31,960
Oh, don't worry. Much less dramatic.

362
00:27:31,960 --> 00:27:35,960
More in keeping with Michael,
his family history.

363
00:27:36,960 --> 00:27:39,960
You three, in his car, by the loch.

364
00:27:42,960 --> 00:27:44,960
Just like his dad.

365
00:27:46,640 --> 00:27:49,960
Come on. Come on.
Tammy, Tammy, come on.

366
00:27:49,960 --> 00:27:53,320
Come on, come on.
There you are. Come on.

367
00:27:53,320 --> 00:27:54,960
SHE COUGHS VIOLENTLY

368
00:27:54,960 --> 00:27:58,640
There's a good girl, that's it.
Good girl, take a breath.

369
00:27:58,640 --> 00:28:00,000
There you are. Get it out of you.

370
00:28:00,000 --> 00:28:01,960
SHE COUGHS,
SPLUTTERS

371
00:28:01,960 --> 00:28:04,960
That's it. That's it, that's it,
it's all right.

372
00:28:04,960 --> 00:28:06,960
It's all right, it's all right.
SHE CRIES OUT

373
00:28:06,960 --> 00:28:07,960
It's all right.

374
00:28:11,960 --> 00:28:13,960
Not long now, Monica.

375
00:28:15,960 --> 00:28:18,960
And then I'll carry you down
to join the others,

376
00:28:18,960 --> 00:28:20,000
and it'll all be over.

377
00:28:24,960 --> 00:28:26,960
This is my favourite part.

378
00:28:28,640 --> 00:28:29,960
Watching.

379
00:28:30,960 --> 00:28:35,960
As the life
and all its dreams, hopes...

380
00:28:37,640 --> 00:28:39,960
..potential fades away.

381
00:28:40,960 --> 00:28:45,960
One of the tragedies of my job
is seeing potential squandered.

382
00:28:45,960 --> 00:28:47,800
Young men
with everything ahead of them,

383
00:28:47,800 --> 00:28:49,960
yet such a tragic lack of vision.

384
00:28:55,960 --> 00:28:58,960
I give them a chance
to do better in the next life.

385
00:28:58,960 --> 00:29:01,960
I send them off with wishing stones.

386
00:29:03,480 --> 00:29:06,960
Maybe that's why Philly
was so unsatisfying.

387
00:29:10,960 --> 00:29:12,960
She had so little left.

388
00:29:15,800 --> 00:29:18,960
All quashed by you, Monica.

389
00:29:18,960 --> 00:29:21,800
I did what you couldn't.
I ended her life.

390
00:29:31,960 --> 00:29:34,960
COUGHING,
WHEEZING

391
00:29:42,960 --> 00:29:45,160
Michael? Michael!

392
00:29:47,960 --> 00:29:49,960
You're gonna rot inside
for what you did.

393
00:29:54,000 --> 00:29:55,960
Get fucking off me!

394
00:29:55,960 --> 00:29:58,480
You're going nowhere.
Where's Kennedy?

395
00:29:58,480 --> 00:30:00,960
Let go! Let him go!
What?

396
00:30:00,960 --> 00:30:01,960
It's not him!

397
00:30:02,960 --> 00:30:06,960
It's my dad. He attacked us.
SHE COUGHS

398
00:30:23,960 --> 00:30:26,640
They'll write you off as a failure.

399
00:30:26,640 --> 00:30:28,960
How could she have been so troubled

400
00:30:28,960 --> 00:30:31,960
that she couldn't see there was
a killer before her all along?

401
00:30:33,800 --> 00:30:35,480
How many lives she could have s...

402
00:30:39,800 --> 00:30:41,480
..have saved.

403
00:30:55,960 --> 00:30:59,960
Clever. You swapped the mugs.

404
00:31:01,800 --> 00:31:06,320
By my count, that's three sips
compared to my one.

405
00:31:19,960 --> 00:31:22,000
All units, officer in distress!

406
00:31:35,960 --> 00:31:38,960
LABOURED BREATHING

407
00:31:41,960 --> 00:31:44,960
You mistook my guilt for weakness.

408
00:32:01,960 --> 00:32:02,960
Lucy!

409
00:32:05,960 --> 00:32:07,960
There are lots of cats over here.

410
00:32:07,960 --> 00:32:11,000
Yes, I think there's lots more
outside. Just hold me tight.

411
00:32:12,960 --> 00:32:15,960
LABOURED BREATHING

412
00:32:33,960 --> 00:32:37,320
Lucy, I love you.
Mummy needs a minute.

413
00:32:40,960 --> 00:32:41,960
Thank God!

414
00:32:45,960 --> 00:32:48,960
Tammy and Michael are alive.
Is Ward?

415
00:32:52,640 --> 00:32:53,960
OK.

416
00:32:56,960 --> 00:32:58,960
Are you all right, Monica?

417
00:32:59,960 --> 00:33:00,960
I think she might have seen me.

418
00:33:02,960 --> 00:33:03,960
What if she did? What if...?

419
00:33:06,480 --> 00:33:08,960
Hey. Hey.

420
00:33:08,960 --> 00:33:10,800
Hey.

421
00:33:13,960 --> 00:33:15,960
Go to Lucy.

422
00:33:17,000 --> 00:33:18,960
I'll deal with them.

423
00:33:21,960 --> 00:33:22,960
Sorry.

424
00:33:24,960 --> 00:33:25,960
It's a crime scene now.

425
00:33:29,960 --> 00:33:31,160
CRAWFORD
CLEARS THROAT

426
00:33:32,960 --> 00:33:35,960
Control, we have one deceased...
Hey.

427
00:33:35,960 --> 00:33:37,000
SHE SOBS
You're OK, you're OK.

428
00:33:41,960 --> 00:33:42,960
It's OK.

429
00:34:13,960 --> 00:34:17,320

How could you stoop so low?

430
00:34:17,320 --> 00:34:19,160

BELL CHIMES

431
00:34:19,160 --> 00:34:21,960


432
00:34:21,960 --> 00:34:24,960

Oh, oh

433
00:34:25,960 --> 00:34:27,160


434
00:34:28,960 --> 00:34:31,960


435
00:34:33,960 --> 00:34:34,960
STEPHEN: That song...

436
00:34:36,480 --> 00:34:39,960
..I'll be honest,
it used to drive me mad.

437
00:34:40,960 --> 00:34:45,320
"Rob, that's not real music!
This is real music."

438
00:34:45,320 --> 00:34:47,960
And I'd bung on some Paul Weller
as a counter.

439
00:34:47,960 --> 00:34:51,960
I know, typical dad behaviour.
I'm sorry.

440
00:34:51,960 --> 00:34:55,000
But now? That song now?

441
00:34:56,960 --> 00:34:58,960
It does nothing but make me smile.

442
00:35:00,960 --> 00:35:03,960
We have to cherish the time we had

443
00:35:03,960 --> 00:35:05,960
with the young people
that were taken from us.

444
00:35:07,320 --> 00:35:09,960
Because it's too easy
to let grief win...

445
00:35:10,960 --> 00:35:13,800
..to think about what we've lost
and not gained.

446
00:35:14,960 --> 00:35:21,320
Because my son Rob Wright was
the kindest, most beautiful soul.

447
00:35:23,160 --> 00:35:25,000
And we're so lucky
to have known him.

448
00:35:28,960 --> 00:35:32,960
And that's what must win - the joy.

449
00:35:33,960 --> 00:35:36,960
The smiles that he put
on his friends' faces.

450
00:35:49,960 --> 00:35:52,640
TAMMY HYPERVENTILATES
Tammy? Hey.

451
00:35:52,640 --> 00:35:56,160
Hey. You're having a panic attack.
You're having a panic attack.

452
00:35:56,160 --> 00:36:00,960
You're OK. You're OK.
Breathe, breathe.

453
00:36:02,960 --> 00:36:05,160
Look at me. This will pass.

454
00:36:05,160 --> 00:36:08,960
He was at our house.
It was a few months ago.

455
00:36:08,960 --> 00:36:10,480
Tammy, who?
I thought I was dreaming.

456
00:36:10,480 --> 00:36:11,960
I thought it was just part
of the nightmares.

457
00:36:13,960 --> 00:36:16,960
I wasn't supposed to know,
I was supposed to be in bed, but...

458
00:36:16,960 --> 00:36:18,480
They argued.

459
00:36:18,480 --> 00:36:22,800
Dad sent him away, told me
it was part of his outreach work.

460
00:36:22,800 --> 00:36:25,960
Who was it?
Tammy, who was in your house?

461
00:36:26,960 --> 00:36:29,000
I saw his photo on Michael's wall.

462
00:36:30,960 --> 00:36:31,960
Jason's brother.

463
00:36:32,960 --> 00:36:36,960
Dad knew him. Something was wrong,
it just felt wrong.

464
00:36:38,480 --> 00:36:39,960
Nichol?

465
00:37:27,960 --> 00:37:28,960
It's just you?

466
00:37:29,960 --> 00:37:30,960
It is.

467
00:37:34,160 --> 00:37:35,960
We were easy to find?

468
00:37:38,000 --> 00:37:42,960
You didn't change your name, Nichol.
I think you wanted to be found.

469
00:37:48,960 --> 00:37:50,800
Is Ward really dead?

470
00:37:52,960 --> 00:37:54,800
EXHALES HEAVILY

471
00:37:56,960 --> 00:37:58,160
Was he kind to begin?

472
00:37:58,160 --> 00:38:00,640
It wasn't kindness
I was looking for.

473
00:38:00,640 --> 00:38:02,960
Did he give you
what you didn't have at home?

474
00:38:05,800 --> 00:38:07,000
I had so much hate in me.

475
00:38:07,000 --> 00:38:10,960
Barclay... pushed me out
of my own family, and...

476
00:38:11,960 --> 00:38:13,960
..Jason was everything to him.

477
00:38:15,960 --> 00:38:16,960
Ward...

478
00:38:18,960 --> 00:38:20,960
..he told me stories of revenge...

479
00:38:22,960 --> 00:38:24,960
..of stones that granted wishes.

480
00:38:24,960 --> 00:38:26,960
Black stones?

481
00:38:26,960 --> 00:38:29,640
I heard that,
and I made that my dream.

482
00:38:29,640 --> 00:38:32,640
And all I ever wanted
was my mum to love me.

483
00:38:35,960 --> 00:38:36,960
Then Ward...

484
00:38:37,960 --> 00:38:41,960
..got darker, dripping darker ideas.

485
00:38:41,960 --> 00:38:44,960
The only way to hurt Barclay
is to hurt Jason, and....

486
00:38:45,960 --> 00:38:48,960
You were hurt, angry.

487
00:38:48,960 --> 00:38:50,960
He groomed you, Nichol.

488
00:38:52,000 --> 00:38:55,960
What did he ask you to do?
I left phones for them.

489
00:38:56,960 --> 00:39:00,640
I watched them,
and I reported on them.

490
00:39:00,640 --> 00:39:03,960
He killed them with my help.
That is not being groomed!

491
00:39:03,960 --> 00:39:06,960
Like, what the fuck am I?
But you stopped.

492
00:39:09,960 --> 00:39:12,960
Was it after Owen? Before Scott?

493
00:39:12,960 --> 00:39:14,960
You're not a killer.
No.

494
00:39:15,960 --> 00:39:19,320
No, no, you don't understand.
Nichol, I do.

495
00:39:20,480 --> 00:39:21,960
No...
Loneliness, anger,

496
00:39:21,960 --> 00:39:24,960
they are gateways for the malicious
to twist and exploit.

497
00:39:24,960 --> 00:39:27,960
No, don't excuse my actions!

498
00:39:33,960 --> 00:39:35,960
Your mother chose you.

499
00:39:47,640 --> 00:39:49,960
If only she knew. Hm?

500
00:39:50,960 --> 00:39:52,960
He was my brother.
Yes.

501
00:39:52,960 --> 00:39:54,960
My brother, and...
Nichol.

502
00:39:57,960 --> 00:40:00,640
You've got handcuffs, right?
Yes.

503
00:40:00,640 --> 00:40:03,960
Then cuff me. Put them on me.
I can't whilst you're holding that.

504
00:40:03,960 --> 00:40:06,960
No, p-please. Monica, please.

505
00:40:06,960 --> 00:40:08,960
I can't do this any more.
I can't run.

506
00:40:08,960 --> 00:40:10,960
Please, just make it stop.

507
00:40:22,000 --> 00:40:23,960
HE SOBS SOFTLY

508
00:40:36,960 --> 00:40:37,960
Thanks.

509
00:40:39,960 --> 00:40:40,960
Hi.

510
00:40:44,960 --> 00:40:47,960
There was a memorial
for Jason and Rob. Mm-hm.

511
00:40:47,960 --> 00:40:49,960
Barclay was there.

512
00:40:49,960 --> 00:40:52,960
We do shut soon.
Stephen organised it.

513
00:40:55,960 --> 00:40:56,960
Please don't say his name.

514
00:41:07,960 --> 00:41:10,960
Nichol's in my car.
Your car?

515
00:41:13,960 --> 00:41:16,960
Why?
I came to find him.

516
00:41:19,320 --> 00:41:21,960
We... We just want a fresh start.

517
00:41:21,960 --> 00:41:24,960
He asked me to put him in handcuffs.
Handcuffs?

518
00:41:26,960 --> 00:41:27,960
Did you?

519
00:41:28,960 --> 00:41:32,960
We've kept investigating Kyle Ward's
history, how he operated.

520
00:41:34,960 --> 00:41:38,960
He manipulated and groomed
a lot of people.

521
00:41:38,960 --> 00:41:43,960
Not only those whose lives he took,
those he needed in other ways.

522
00:41:44,960 --> 00:41:49,960
We suspected he hadn't worked alone.
We were right.

523
00:41:49,960 --> 00:41:51,480
I really do need to lock up.

524
00:41:51,480 --> 00:41:53,960
Nichol told me
he can't live with the guilt.

525
00:41:58,960 --> 00:42:00,960
BETHANY SIGHS

526
00:42:03,960 --> 00:42:05,960
He's not carrying it alone.

527
00:42:08,960 --> 00:42:12,640
I chose a man who hated my son.

528
00:42:14,800 --> 00:42:15,960
If I'd been...

529
00:42:16,960 --> 00:42:18,960
..stronger and a better mother...

530
00:42:18,960 --> 00:42:20,960
Do you really believe that?

531
00:42:24,960 --> 00:42:26,960
I just...

532
00:42:26,960 --> 00:42:30,960
TEARFULLY: I just want to give
Nichol the love he deserves.

533
00:42:33,960 --> 00:42:35,480
That's what we mothers try to do.

534
00:42:41,320 --> 00:42:43,160
Justice can set people free.

535
00:43:11,320 --> 00:43:13,960
It's just a... a little something.

536
00:43:14,960 --> 00:43:18,960
Is it a puppy?
Silly Granny. Puppies bark.

537
00:43:18,960 --> 00:43:20,960
Oh!
ANGELA CHUCKLES

538
00:43:21,960 --> 00:43:24,960
Thank you, Crawford.
Aw, pal.

539
00:43:24,960 --> 00:43:26,800
Put it under the tree, darling.

540
00:43:31,960 --> 00:43:35,000
Here, I... I didn't know
you had any plans. I'll get going.

541
00:43:35,000 --> 00:43:38,000
Oh, Connor, don't you fancy
Winter Wonderland with us?

542
00:43:38,000 --> 00:43:39,960
I can just see you on the dodgems.

543
00:43:39,960 --> 00:43:41,960
Aye, he's more
of a teacups kind of man.

544
00:43:41,960 --> 00:43:44,960
I do love the teacups,
to be fair, so...

545
00:43:44,960 --> 00:43:46,960
THEY LAUGH

546
00:43:46,960 --> 00:43:49,960
Oh!
HE LAUGHS

547
00:43:49,960 --> 00:43:51,480
Piggyback, Crawford?

548
00:43:51,480 --> 00:43:53,960
Well, if you're offering.
Would be rude to refuse.

549
00:43:53,960 --> 00:43:55,960
OK, you ready?
No!

550
00:43:55,960 --> 00:43:57,960
What? Oh, I'm sorry?

551
00:43:57,960 --> 00:44:00,640
You want ME to do
all the hard work, do you? Oh!

552
00:44:00,640 --> 00:44:02,000
Right, OK.
He's silly, Mummy.

553
00:44:02,000 --> 00:44:03,960
That's one word for him.

554
00:44:03,960 --> 00:44:06,960
CRAWFORD LAUGHS,
GIBBERS

555
00:44:07,960 --> 00:44:09,960
LUCY LAUGHS
'Ey, another jump.

556
00:44:09,960 --> 00:44:11,960
Whoo-hoo-hoo!
LUCY SHRIEKS

557
00:44:13,800 --> 00:44:15,960
LUCY AND CRAWFORD
LAUGH

558
00:44:18,960 --> 00:44:21,960
Are you all right?
You watch your back.

559
00:44:28,960 --> 00:44:32,960
Horsey ready, Granny ready.
Are you ready, Mummy?

560
00:44:40,960 --> 00:44:42,960
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